When we founded Interplay Architects, we set out to create a studio that reflected a design philosophy rooted in collaboration and sensitivity to context. The inspiration for our name came from a source that, though outside the world of architecture, embodies the spirit of shared creativity that defines our work: Interplay, an album by jazz pianist Bill Evans.
Released in 1962, Interplay is a unique record in Evans’ career, as it explores the richness of a quintet, moving away from his usual trio format. For us, this work symbolises the complexity and balance we strive to bring to each project, as well as our belief in the positive power of collaboration. Just as Evans and his musicians engage in a continuous dialogue within each piece, at Interplay Architects, we understand our practice as a dynamic network of connections that allows us to tailor the most suitable team of experts for each project. We aim for every element, material, and space to “converse” and intertwine in perfect harmony, drawing on the strength of these fluid relationships.
We are inspired by how, in Interplay, the musicians respect both moments of silence and of sound, creating a balance between expressiveness and restraint. In the same way, we aim to achieve a harmony between function and emotion, so that the spaces we design offer a sense of discovery and balance.
For those who come to Interplay Architects, our name represents more than just a musical reference; it is a statement of principles. Every project is, like jazz, a work in constant evolution, finding its ultimate form through interaction with the site, the client, and our team. In every design, we aim to capture the essence of Interplay: an architecture that, like Evans’ music, creates lasting connections with people and the environment, blending depth and subtlety.
